Subscriber tickets can also be shared with friends and family if you are unable to attend any show. Subscriptions entitle you to one ticket for each show and can be reserved in advance or exchanged up to 48 hours prior to your chosen performance. *SPECIAL BONUS Buy your subscription on or before June 25 and get a FREE ticket to our original musical production of The Tunesmith (June 15-25- Regular value $25). Or, buy all six shows in subscription for just $139.* TICKET PRICESĪll shows are $25 each except The Magic of Jason Hudy for which we are offering a limited number of youth tickets (16 and under) for just $10. and NEW this year- a matinee performance at 2 p.m. No matter what your tastes, you’re sure to find something here that will entertain and delight you.Įach act will run for three performances- Friday and Saturday evenings at 7:30 p.m. From July 8 through August 27, we’re presenting a varied series of musical, theatrical, magic and comedy shows suitable for the entire family. Not only is Smith paying respect to the jazz tradition, he is adding to it, as this album will be mentioned in the same breath of saxophone trio masterpieces like Way Out West and State of the Tenor.This Summer, come enjoy live entertainment again at Bluff City Theater. With Twio, Walter Smith III further cements himself as one of the top tenor saxophonists in jazz today. Redman seems inspired by the presence of his fellow tenor titan and delivers a solo that freely flows over the bar lines and explores the altissimo register of the tenor. Smith’s individual solo is full of motivic development and builds up from a sparse opening into streams of virtuosic double-time lines. Once the rhythm section enters Smith and Redman take a chorus of collective improvisation, imitating one another on the fly and unencumbered the 5/4 time of the tune. “Contrafact” opens with Smith and Redman stating the melody accapella, disguising the meter with over-the-bar line phrasing reminiscent of the contrafacts of Lennie Tristano. Once the tune starts for good, Smith and McBride trade fours with Smith showing off his elastic sense of time – laying back behind McBride’s bass accompaniment to create a push and pull between the two that never totally interrupts the groove. The several false starts and banter included at the beginning of Smith’s duo with Christian McBride on “Social Call” illustrates the sense of humor and relaxed nature of the recording as a whole. Harland follows by playing in 3/4 for an extended amount of time, building up tension before launching into a muscular walking swing at the top of the next chorus. Smith opens his solo with the superimposition of 3/4 meter over the 4/4 meter of the moment. In interpreting Jerome Kern’s “Nobody Else But Me,” Smith once again takes a straight ahead swinging approach, playing the melody over broken time in the rhythm section. Both Raghavan and Harland accompany Smith with rhythmic energy throughout the track Harland’s polyrhythmic snare interjections in particular push the piece forward. ![]() Smith’s solo on the track is a master class in showing off technique without overwhelming the listener (and his fellow band mates). Thelonious Monk’s composition “Ask Me Now” opens the album, and sets the tone for what is to come throughout the entire album: a seeming sense of telepathy between the musicians, virtuosic improvising that never abandons a sense of melody, and a strong sense of swing. Smith’s one original composition on the album, “Contrafact,” is 5/4 tune based on the chord changes to “Like Someone In Love.” Joined by Harish Raghavan and Christian McBride splitting bass duties, Eric Harland on drums and special guest tenor saxophonist Joshua Redman (on two tracks), Smith pays homage to masters of the chord-less tenor trio like Sonny Rollins and Joe Henderson while still blazing his own improvisational path. Smith’s latest album, Twio, finds him harkening back to the jazz tradition in both repertoire and instrumentation, interpreting a set of mostly Great American Songbook and Jazz standards with a chord-less trio. Smith would throw in the occasional standard on his records, but for the most part would perform tunes by himself and peers such as Ambrose Akinmusire. Since the release of his debut album Still Casual in 2006, Walter Smith III has been at the forefront of contemporary jazz, often interpreting harmonically dense original music, extended forms, and navigating mixed meters with ease.
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